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HOW PACE AND POLITICS ARE INFLUENCING COLOUR TRENDS

In just a decade the biggest driver of colour trends for branding and packaging has moved from fashion to social media, according to UK designers, with technology predicted to become the biggest influence by 2030. James Cropper spoke to 500 designers about what’s driving colour trends. The special...

BESPOKE EXPERIENCES – DESIGNED STORYTELLING

Consuming experiences instead of mass-produced goods has been emphasized in recent years; travel, self- and soul-care have been marketed as obvious alternatives, canvassed against a backdrop of bleak mass-produced goods in abundance. This is one of many signs of how we have shifted our mindse...

Origami design for a truck – 10,000 folds!

James Cropper, the UK’s most innovative paper-maker, has recently completed a unique design project to transform its paper delivery fleet in partnership with paper artist Kyla McCallum of Foldability. The brief was challenging, the artwork had to communicate the intrinsic beauty of James Crop...

Zero Waste Bistro – Circular economy model

Addressing leftovers in the hospitality industry, Zero Waste Bistro sources and serves sustainability A pop-up restaurant that is built from recycled food packaging and that composts all of its leftovers has been set up at the WantedDesign Manhattan fair. Addressing leftovers in the hospitality ...
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National Gallery Photo 2018-06-08 13:15

In Turner's beautifully epic portrayal of Homer's Odyssey, we see Ulysses standing aloft on his ship deriding the Cyclops, whom he and his companions have just left blinded, and invoking the vengeance of Neptune. One of the flags is painted with the scene of the Trojan Horse. The horses of the Sun are rising above the horizon ('Odyssey', Book 9). Opening on Monday, visit 'Thomas Cole: Eden to Empire' and see Turner's influence on this American artist: http://bit.ly/2JsMlxa

Tate Photo 2018-06-07 18:20

This Volunteers' Week we are celebrating the extraordinary contribution of over 500 volunteers at Tate who give their time, passion & expertise to visitors from all over the globe, across our four galleries. 'I didn’t know anything about contemporary art until I started volunteering at Tate in 2016. I’ve learnt a lot! I love passing on this knowledge to visitors. It keeps my brain active! My favourite room in Tate Britain is the 1840s room and my favourite painting is The Lady of Shalott. I like all the Pre-Raphaelites in Tate Britain. This is my favourite room and my favourite place to be.’ - Steve Daszko, volunteer visitor host with John William Waterhouse’s The Lady of Shalott 1888 https://goo.gl/RvZ97V

Solomon R. Guggenheim Museum Photo 2018-06-07 15:58

On view tomorrow, June 8—"Giacometti” fills the ramps of our rotunda, featuring nearly 200 sculptures, paintings, and drawings by the preeminent artist Alberto Giacometti, whose intensive focus on the human condition continues to provoke and inspire new generations. A collaboration with the Fondation Giacometti in Paris (Fondation Alberto et Annette Giacometti), this comprehensive exhibition examines anew the artist’s practice and his unmistakable vocabulary. Learn more: https://gu.gg/2xPE44R … Photo: David Heald

Gun of the Day - NRA Museums 2018-06-07 13:01

GUN OF THE DAY - A Ranger 1911A1? The Robert E. Petersen Gallery holds many unusual handguns and this Colt 1911A1 is right in there swinging. While some might be captivated by the fine set of stag grips on this GOTD, the oddly truncated trigger guard sets this pistol apart. There are a number of similar handguns in existence that were modified by Texas Ranger Captain Manuel T. Gonzaullas, who spent considerable time in later life in Hollywood, not far from where Robert E. Petersen lived. Is this one of that Ranger's handguns? We just don't know. Caliber: .45 ACP Production Date: 1943 #NRAmuseums #GunOfTheDay #guns #history

National Gallery Photo 2018-06-07 12:43

Gauguin was born #OnThisDay in 1848. 'Bowl of Fruit and Tankard before a Window' by Gauguin is a tribute to a Cézanne painting Gauguin had acquired around 10 years earlier, 'Still Life with Compotier, Glass and Apples'. It repeats many of the elements of this painting, such as the fruit, pottery, rumpled tablecloth and the knife at the lower right. On a wider level it is also indicative of Gauguin moving away from Impressionism to a more structurally rigorous art exemplified by Cézanne's work. View this homage to still life in Room 43: http://bit.ly/2GQArzJ